Grigoriev was the catalyst for Glasnost, but Christian Carion takes a sober approach. The performances are expert, the friendship compelling, but it cries out for a streak of Le Carré’s damp- paved noir to get pulses racing. [A] slightly underpowered as an espionage thriller, this is nonetheless a fascinating story told with real panache.
Submitted by robotnic about 1 year ago
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